British Youth Culture Films featuring Music

Thursdays Robert Elms show on BBC Radio London discussed and took submissions from the listeners on their top-3 British Youth Culture films featuring music. I’d not heard of many of them, so I hit the BBC iPlayer pause button and made a list of all those mentioned. The films are listed as they came up on the show.

The most popular films mentioned, including by Robert were Quadraphenia, Take it or Leave It, and Babylon.

Quadraphenia (1979) features one Gordon Sumner aka Sting, as we as Phil Daniels and is set in London in 1965. The music is predominantly American acts, but features 4-tracks from the Who.

Stardust(1974) features then “teen pop-idol” David Essex as the pop star Jim Mclean and was a follow-on to the 1973 film, That’ll be the day. It was a surprisingly gritty film, and certainly had an impact on me. The soundtrack is primarily numbers by David Essex and Dave Edmunds(as the Stray Cats).

Babylon(1980) features Brindsley Forde’s character as he takes his reggae sound system based in west London. The film was for the most part set in “current times” and was no a retrospective. It was a relatively low-budget film compared to the first two entries.

Take it or Leave it(1981) autobiographical film of Madness.

Telstar – The Joe Meek Story(2008) set in the 1960’s about about Joe Meek, the flamboyantly gay, tone deaf, songwriter-producer behind the ’60s. Features many 1960’s tracks.

The Harder they come(1972) – Honorary entry, highly rated, not British. Features reggae star Jimmy Cliff(and others), filmed in Jamaica. Reggae soundtrack primarily featuring Jimmy Cliff, but also Toots & The Maytals, Desmond Dekker.

Breaking Glass(1980) London new wave/punk scene – featuring Phil Daniels, Hazel O’Conner and Jonathon Pryce.

Absolute Beginners(1986) Set in the late 1950’s, famously features David Bowie and Bowie tracks, but also Sade, Paul Weller and Gil Evans.

Young Soul Rebels(1991) Set in London 1977 and the Queens Silver Jubilee celebrations and two friends running a pirate radio station. Music features many jazz-funk style tracks popular at the time.

24-Hour Party People(2002) Retrospective on the mid-1970’s  with Tony Wilson setting up Factory Records whose acts included Joy Division(New Order), The Happy Mondays. Features racks by the Clash, the Pistols, Happy Mondays, Simpley Red, New Order.

Human Traffic(1999) features the Cardiff club scene of the 1990’s and a story around a weekend of music, love and club culture. Varied club, trance music tracks inc. Fatboy Slim, Public Enemy, Armand van Helden and more.

Velvet Goldmine(1998) set in 1984, but primarily about the 1970s glam rick era. Surprisingly features Ewan McGregor and Christian Bale, also Eddie Izzard.Music from bands of the glam rock scene inc. Roxy Music, T-Rexx and also contemporary artists such as Thom Yorke.

That’ll be the day(1973) drama set in the late 1950’s/early 60’s with David Essex as the lead, and featuring a soundtrack  of early rock and roll, primarily American inc. Jerry Lee Lewis, The Everly Brothers, Bobby Darin et al.

HELP!(1965) drama film featuring the Beatles and their music, but based on a story about Ringo and a ring being a human sacrifice.

The Commitments(1991) – story of a imaginary Irish band the Commitments and their struggles to make it. Features classic remkes by the band of classic songs. Features the vocals of lead singer  Andrew Strong.

Kill Your Friends(2015) drama set at the height of the Britpop music scene in the 1990’s.

Expresso Bongo(1959) drama about the music business featuring Laurence Harvey and Silva Sims, Cliff Richard. Cliff Richard provides much of the soundtrack.

Pink Floyd The Wall(1982) not clear(to me) this film belongs, but it is set in the UK and around the music business. Pink Floyd provide majority of soundtrack.

Control(2007) biopic/profile of Ian Curtis the troubled lead singer of Joy Division. Soundtrack includes tracks from glam rock(Roxy Music, David Bowie) through Punk through electronic and especially remade and original Joy Division tracks.

Backbeat(1994) dramatization of the Hamburg(late 50’s) period of the Beatles. Soundtrack by various artists from the time.

Flame(1975) drama featuring the band Slade as 1970’s band Flame. Features reworked Slade tracks, also many stars of the then pop-music industry are in Cameos.

Bronco Bullfrog(1969) gritty East London drama covering the period and influences that lead to the Mod movement.

A Hard Days Night(1964) biopic drama of a day in the life of the Beatles.

Radio on(1979) road trip drama set in 1970’s Britain. Soundtrack features Bowie, Kraftwerk, Ian Dury and the Blockheads

Born to Boogie(1972) – features Marc Bolan and Ringo Starr pseudo documentary about T-REXX.

Nowhere Boy(2009) dramatization of the formative years of John Lennon. Sountrack features tracks by Elvis Presley, Dickie Valentine, Gene Vincent and others, as well as remakes of tracks by cast members.

Beat Girl(1960) (I assume not the 2013 DJ based remake?) Released in the US as Wild for Kicks. Set in the late 1950’s features numerous British character actors including Adam Faith, Oliver Reed and Christopher Lee. Notable John Barry’s first music soundtrack commission, with vocal tracks performed by Adam Faith.

Blow-Up(1966) archetypal mod photographer shoots mysterious beauty drama featuring David Hemmings, Vanessa Redgrave et al. great jazz soundtrack by Herbie Hancock.

Performance(1970) Classic Nicolas Roeg film about an east London gangster and a former rcok superstar. Stars Mick Jagger; also an appearnce by one of my favorites from the 1970’s Callan series, Anthony Valentine.Sountrack features track by Merry Clayton and Buffy Sainte-Marie, and one by Jagger.

Sid and Nancy(1986) morbid biopic about Sid Vicious of the sex pistols; features Gary Oldman. Soundtrack features classic Pogues performances, also Joe Strummer and the Sex Pistols and others.

The Great Rock ‘n’ Roll Swindle(1980) “documentary” about the Sex Pistols break-up, from the point of view of Malcom McLaren the Pistol manager. Soundtrack includes many Pistols songs specially engineered for the album using older lyrics and band members, as Johnny Rotten refused to participate.

Catch us if you Can(1965) released in the US as “Having a wild weekend”. Eponymous movie named after the David Clark 5 (DC5) hit, filmed at the peak of their success. The film is a drama about a model and a stunt actor.

Still Crazy(1998) (incorrectly called Strange Fruit on the Elms show). Features Billy Connolly, Jimmy Nail and Bill Nighy, as well as many others. The seminal 1970’s band “Strange Fruit” reuniting after twenty years of silence. Soundtrack contains tracks by the cast, written by the likes of Chris Difford, Mick Jones, and Jeff Lyne(ELO).

It couldn’t happen here(1987) Surreal Pet Shop boys movie, based on memories of Lowe/Tennats childhood, crossed with Mrs Thatchers late 80’s England. Ensemble British cast including Barbara Windsor. Soundtrack by, and featuring classics of the Pet Shop Boys.

Smashing Time(1967) Comedy drama filmed in London and written by George Melly. Stars Rita Tushingham, Lynn Redgrave and Michael York. Lots of satire, also Juke Box Jury is parodied.

SPOOFS:

Spinal Tap(1984) American film, Directed by Rob Reiner and set in 1982 about a British heavy metal band, Spinal Tap. Film didn’t qualify for a formal entry in the list as it is staged around the bands American comeback tour, filmed in California, and thus not about British youth culture. Soundtrack features songs written and performed by the cast.

The Rutles(1978) original title All You Need Is Cash. charts of the adventures of the prefab four, a total Beatles send-up. The soundtrack also parodied many Beatles songs, and features the work of Neil Innes of Monty Python. Actually, if you like the Beatles, this film is quite good, if you don’t like the Beatles, this film is very good.

From the Robert Elms Facebook page:

British Hustle(1978) – Few details, seems to have been a film shot at Clouds, Brixton, featuring some of London’s club dancers at the time, including Tommy Mack. Also includes Greg Edwards as DJ.From this clip and this clip on YouTube, seems to be a documentary rather than movie.

Pirate Radio(2009) original title The Boat that Rocked. Movie about the early days of pirate radio, set in the 1960’s, primarily a comedy parodying Radio Caroline. Soundtrak contains many classic tracks from the time, mostly British.

Stuart Kolnick, Recycled Sounds (Omaha, Nebraska)

I mentioned this list and the show on Stuarts facebook page. Stuart runs a fantastic used music and record shop. He is a brillaintc resource, and in a flash came back with these two films which hadn’t previously been listed.

Rude Boy(1980) Features The Clash and a fictional roadie as well as actual events from the time. Shot in Birmingham and the West Midlands. Soundtrack includes live, rehearsal and recorded versions of Clash tracks.

Dance Craze(1981) documentary film about 2 Tone. Film includes broad selection of live performances of 2 Tome bands at the time including Madness, Bad Manners, The Specials, The Beat.

LPSDo you have any others to include in the list? The classification was British, and Youth Culture, that featured music. Documentaries were not really included. Feel free to add a comment below and I’ll update the post.

While you can find copies of most of these movies online, many legitimate through the British Film Institute aka the BFI, also through streaming services such as Amazon, and Lovefilm, I’m not going to include links here.

69!

It’s David Bowies 69th Birthday today, Happy Birthday David.

It’s also 44-years since a 1972, a wet evening photo-shoot in Heddon Street in London gave us one of the more iconic album covers ever; and finally, it’s the release date for Bowies 28th studio album, Blackstar.

He was hugely influential on me in my early teens. I saw him live a few times, including during the first Spiders from Mars Tour in 1972 at his second gig that year in High Wycombe. I also saw Bowie at the Milton Keynes bowl in 1990 as the UK Leg of the Sound+Vision Tour, which famously was the last outing of his back catalog. The concert was overshadowed though by a car crash on our way home, when another driver ran a red-light and very nearly killed both me and my wife Wendy.

Asides from trying to copy his style in the early 1970’s, I used used many lines and couplets from David Bowie lyrics in my English language course work. Sadly I don’t have any of that now but can recall getting A’s for some of the submissions. Mr (Paul) Coffman must have known, but I assume since I could actually explain the structure that was good enough.

YoungerTowards the end of 1974, the end of Ziggy Stardusts 5-Years, I started working on Wembley Market, selling pub mirrors and 7-inch singles on two stalls(Proprietor: Tony Clifford),  as Bowie switched to a more soulful music direction, so did I.

Robert Elms on BBC Radio London featured Bowie today in his “fourfer” weekly segment, where listeners call-up and request their favorite four tracks. You can hear the whole program here, the fourfer starts at 1:05:00.

The foufer featured only 1-track I would have chosen, but it did make me think what my personal fourfer would be. Enjoy.

“And it was Stalking time
for the Moonboys, the Bewley Brothers”


And it was cold and it rained so I felt like an actor
And I thought of Ma and I wanted to get back there
Your face, your race, the way that you talk
I kiss you, you’re beautiful, I want you to walk

We are all anchor babies

Trump is such an ass, he typifies the greed and avarice of the last century. Despite all his boasts, he really hasn’t done much except bully his way through life.

I’m delighted to see Richard Digance has finally seen the light and allowed much of his 1970’s song and some of his poetry material to make it on to youtube. He, or his record company, had previously fought and issued take down orders for anyone trying to provide copies, and in some cases, even links to copies.

I saw Digance twice live, and was there for one of the nights at the Rainbow Theatre in 1974 when his “Live” album was recorded. Of those tracks, “How the West was lost” was pretty influential on me at the time.

A couple of years later when recovering from knee surgery after a motorcycle accident, I spent a lot of time in the library researching American history. Digance songs, and his poems were intelligent, articulate, and often funny, quite the opposite of Trump.

Bowie – Changes

Today mark’s the release of a new David Bowie single, Blackstar, also the title track of his 25th Studio album to be released on Bowie’s birthday next year.

dare-death-of-rock-n-roll600-1[1]The Fred Perry Subculture website has an extract from a David Laurie book, called Dare. I have to admit, I found a couple of the claims somewhat troubling.

How Bowie & Kraftwerk Inspired The Death of Rock’N’Roll

Screams the subhead, and book cover, along with

[David Bowie and Kraftwerk] invented modern pop music

I admit, I have not read the book. While I can see some validity in the death claim, except I doubt anyone in the US would actually agree Rock and Roll is dead, even today. I just don’t agree that Kraftwerk, and/or Bowie invented modern pop music.

David Lauire says of himself “David Laurie was 14 in 1982, living in an endlessly damp, grey South Wales”. Coincidentally, 10-years before that, as a 14-year old, in April of 1972, I was watching David Bowie and the Spiders from Mars in High Wycombe.

There is no doubt about his influence then, but I do think this is taking what Bowie did, and fitting it to a chosen narrative. ie “Can you write about how Bowie invented modern pop music?”.

Rather than Bowie being and driving the change, what he really did, more than possibly anyone else, was make the changes to himself, his own music, to stay relevant. The changes would have happened without him, it was his realization and ability to move with the changes that set him aside from his peers… The Soul diva persona was a direct response to the dance music revolution that had started in earnest in 1972 in London and was growing rapidly through the mid-70’s. Glam Rock was dead…

I’d argue, somewhat more tenuously, that his electronic music, and man who fell to earth period was little more than Bowie thrashing around trying to find a way to be relevant with the emergence of punk, and equally more electronic music, along with Eno two guys with history, trying to find a future. The Berlin Trilogy a good justification for this, it wasn’t until the b-side of Lodger, with it’s more traditional Alomar guitar riffs, and more regular beat that Bowie found his rhythm again, and this continued on Scary Monsters.

So, yes no one predicted his new personas, because at the time, only the people dependent on the Bowie income stream cared. Pop culture, fashion and youth movements wait for no man…

“Just gonna have to be a different man
Time may change me
But I can’t trace time”

Toyface: Follow the Rules of the Trainwreck

Cover art pictureI’ve not covered music and arts projects I am, or have been involved here, much to my changrin. My film ventures have taken a back seat this year, although Moving Day continues to garner awards, my role as Associate Producer has long passed.

Yesterday I had the chance to catch-up with Tamysn and James the two driving forces behind toyface. They are just off their frantic album launch phase, I was Executive Producer for, and we talked on Skype to look at the next few weeks and getting a promoter and publicist involved to help them gain wider attention for the album.

You can hear and buy the album from bandcamp, here. If you have any radio contact, even here in the USA, or especially in Austin, I have a few CD’s that I can send you to help promote their work.

If you like what you hear, they also have a soundcloud page here, which has some great remixes, including this one from Oilver Si.

Where Love Lives: Frankie Knuckles And The Dance Floor : The Record

I’m not going to drone on here about Frankie Knuckles, I’ve done enough of that on Facebook. This NPR review of Frankies’ impact and his music though contains two of the best ever in a music review

To listen to his “The Bomb Mix” of Chanté Moore’s 1995 R&B song “This Time” is to be suspended in air for 10 minutes.

and

Moore sings Knuckles’ rendition more tenderly (she recut the vocal in his studio, following his directions to sing it at a club-friendly tempo), more like she’s having a secret talk with God, as if she’s praying that this time, heaven allowed, things are going to work out. She’s singing as if she’s asking to be blessed.

As much as people are calling Frankie the “”God Father of House music”, what Frankie really did was kept soul alive.

Where Love Lives: Frankie Knuckles And The Dance Floor : The Record : NPR.

If you want more of Frankie Knuckles, his personal soundcloud page has dozens of mixes and tracks from over the years. Dimitri from Paris, and many others are producing tribute mixes, also on soundcloud.

Frankie at Kingdom, Austin
(c) Learning secrets

Finally thanks to Christian Barbuto and the folks at Resident Advisor, Learning Secrets, and Kingdom nightclub in Austin for bringing Frankie to town last year. Great to see Christian last night at the impromptu Thursday night Frankie celebration.

Flash Mob Austin: Operation Happy

Mission date: March 15th, 2013

Mission time: 9:45-10:45a.m.

Meeting Place: St Davids Episcopal Church, E 7th, San Jacinto.

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Mission description: Dance as a group, inspired by Pharrell Williams Happy and the 24hoursofhappy website. After a mission briefing between 9:45 and 10:00 a.m., agents will disperse and assemble at assigned positions along East 6th Street.

At 10:15 a.m. an agent will come along 6th St playing happy, the other agents will come out from the sides and dance along behind the Happy Agent. We will dance from San Jacinto to Red River, turn and come back. Agents are requested not to congregate together, not to draw attention to themselves why waiting to join in, and to disappear quietly after they’ve finished. Agents will be given pins/buttons to give out.

East 6th won’t be too busy, but it will be closed to traffic at 10 a.m. and there will be enough people around to make it worth the effort. We will meet back at the church for a debrief.

What to wear: Anything bright, happy!

How to dance: Anyway you want, see the video and website above, most importantly, clap along!

How will I hear the music: I have a large amp that will play on repeat.

Anything else? Yes, there are lots of road restrictions, parking will be expensive close-in. The lot on the east corner of E7th and San Jacinto opposite the church will be open and accessible from 10am.

If you have friends who want to participate thats great. Also we need people to take pictures. I’ve been promised a professional videographer, but since we/I am not paying, I’m not betting. See the following map.

See you Saturday. CLAP ALONG!

Because music(2013)

Because music mattersI’ve found no “best of 2013” music lists that contained anything even vaguely my taste. This year has also seen dance music “Jump the shark”  like it did back in 1979, where EDM has really become an acronym of Electronic Disco Music and should really be called Electropop, it mostly has no soul..

The list that put me over the top this year though was “The 25 Best Songs of 2013 (The Entire Year)” by time.com’s Melissa Locker @woolyknickers which contains almost nothing palatable, a few ok tunes, and a couple of down right offensive tracks. As far as I can recall, I’ve never done a music list before, since I had a free evening. I’ve grouped in logical, to me, musical styles. Also, I’ve included tracks that were new to me in 2013 and included the year of release where they were previously released. Because music makes you feel good!

Because music(2013) – The soundcloud playlist. Enjoy.

Best re-edit/re-mixes

  1. Sun – Two Door Cinema Club (Late Night Tuff Guy remix)
  2. Skyfall – Adele (DJ Electronce Sucker Punch remix)
  3. Losing You – CJ Hilton (Fred Everything remix
  4. I Want You Back (Dimitri from Paris Supa Funk Brakes Mix) –

    Jackson 5

Minimal

  1. Love Inc. – Booka Shade
  2. Battleships (Sasha Beatless Mix) – Benjamin Damage & Doc Daneeka feat. Abigail Wyles
  3. Waste Love – Kaskades Ice Mix
  4. Hypnotized – Oliver Kolezki feat. Fran (Original Mix)(2009)
  5. Haleshop – Booka Shade
  6. Telecaster – Gui Borratto(2010)
  7. U Were The One (Original Mix) – Kulkid

Dance Music

  1. Fall For You feat. April Sandy Rivera’s Classic Mix – Kings of Tomorrow
  2. Make me feel – Ange(2011)
  3. Everybody wants something – Akabu feat. Alex Mills, Joey Negro Strip Mix.
  4. DUI – Gareth Emery, Ashley Wallbridge(2012)
  5. Spectrum [feat. Matthew Koma] – Zedd
  6. Symettries –

    Austin Leeds, Paul van Dyk

  7. Clarity [feat. Foxes] – Zedd

Dunno what to call it

There has been interesting development in uptempo pop/dance music this year. Lots of tracks that are a mix of folk/blue grass, electronic, acoustic, and are very heavily orchestrated and include drops from dubstep or 60’s soul more than traditional dance music. Avicii got totally panned for doing a live set incorporating significant non-electronic elements at Ultra Music Festival in Miami. With the exception of the John Cale track, here is a great selection of the genre, it’s great music, it’s just not pure dance, or for that matter EDM.

  1. Hide – Little May
  2. Not Giving In (feat John Newman) – Rudimental
  3. Waiting all Night (feat Ella Eyre) – Rudimental
  4. Love me Again – John Newman
  5. I want to talk 2 U – John Cale(2012)
  6. Think of You – MS MR
  7. Wake me up – Avicii
  8. Free – Rudimental
  9. Cheating – John Newman

Back to mine

  1. Welcome to my world – Depeche Mode
  2. Baddest Blues – Beth Hart
  3. She – Laura Mvula
  4. Another Night In – Tindersticks(1997)
  5. Don’t Wait – Mapei
  6. Out of my head – John Newman

Lost and Found

  1. Ordinary Joe – Terry Callier(2008) – Terry was re-discovered by the UK music scene in the late 1990’s, and his story is a classic example of the British soul scene and the complete eco system that supports unknown and new soul and dance music. Wikipedia mentions this briefly. I actually prefer the Japanese Modal Soul producer Nujabes version. Terry died from cancer on October 27, 2012 and so the start of 2013 saw a lot of retrospectives and re-edits. This 2007 live recording of Terry in London is great, you can feel the soul, he starts by saying “welcome home”.
  2. Relax(Jazzed) – Blank and Jones. I first came across Piet Blank and Jasper Jones work 10-12 years ago on a number of the early Cafe del Mar, and Hed Kandi Chill out compilations. They’ve produced an interesting series of downtempo albums in the Relax  and Milcharbar compilation series. Earlier this year I was looking for their mix of Angels by Sara McLaughlin on Amazon.com and came across the the first Relax compilation. Amazon helpfully also suggested Relaz(Jazzed), this is a jazz version of a number of tracks from the Relax compilations, featuring tracks from Edition 4. It’s fabulously downtempo Jazz, beautifully played on instruments by Julian and Roman Wasserfuhr. If I was looking for an album of the year, this would be it.

MIXES

Greg Wilson continues to crank out a brilliant collection of mixes from his live sets which contain either his re-edits, re-mixes or those by a cadre of the top folks from the soundcloud crew. Greg’s 4.5 hour mix from December 12th Berghain in Berlin is a classic example.

Sven Neer, a local favorite ways to keep up with emerging club music now has a regular gig at Lazer Trance, StereoLive in Houston and for the most part isn’t posting to Soundcloud anymore. A new discovery for unconventional mixes has been DJ James Bubblefunk out of Thailand. I’ve particularly enjoyed his themed mixes.

Mix/Compilation of the year though is the Sasha beatless continuous mix from Involv3r. My favorite track is the beatless version of Battleships, but the whole 43-mins is packed full of minimal tracks, that work great together.

Music video of the year is John Newmans’ Love me again. This is my late teens, the tempo, the clothes, the Northern Soul theme, the teenage angst, set in a nothern town its a take on Romeo and Juliette. Brilliant. I get to see Newman in San Francisco in January, the tickets were just $15.

New Music

A great place for new music, especially mixes has been the London based oki-ni mix series on both soundcloud and mixcloud. I prefer the mixcloud version, as mixcloud includes and auto-generates track names which helps find the individual tracks.

Finally, for early 2015 I’m looking forward to getting advanced releases from Tiko based on his first EP release, and hopefully, forthcoming album which he has been working on also in Berlin.

Epitaph

Disco will never be over. It will always live in our minds and hearts. Something like this that was this big, and this important, and this great, will never die. Oh for a few years, maybe many years it will be considered passe and ridiculous. It will be misrepresented, caricatured and sneered at, or worse, completely ignored. People will laugh about John Travolta, Olivia Newton John, white polyester suits and platform shoes and going like this! [Mimics Saturday Night Fever pose] But we had nothing to do with those things and still loved disco. Those who didn’t understand will never understand. Disco was much more, and much better than all that. Disco was too great and too much fun to be gone forever. It has got to come back someday. I just hope it will be in our own lifetimes. – Josh Neff, Last Days of Disco the movie, 1998

Ageing Concert Love – Zimmer Park

aclDespite living within easy walking distance of Zilker Park, I very much doubt I’ll ever go to ACL again.

I know many people love it, there is a real buzz around it. C3 seem to have overcooked it this year extending it to two almost identical weekends. The number of free giveaways of wristbands, people offering them for sale is much higher than in previous years.

For me though, ACL is without doubt the worst open air music festival I’ve ever been too. Half the bands are geriatric; about the same percentage of the audience is so past their prime, they have to sit in unorganized and dangerously placed lawn chairs, in the evening when it’s dark these become a real hassle.

The music scheduling, seems to follow no rhyme or reason, ensuring only that big names don’t clash. It requires you to wander around the park trying to decide how to avoid the aging comeback rock group, or this year strangely, Lionel Ritchie, which must be some form of unexplained joke. While trying to avoid the ageing rockstars, you have to avoid the ageing audience, only to arrive at another stage where you have to do the same all over again.

For those of us fortunate enough to live within walking distance of “Zimmer Park”, we can avoid it by going home between sets. Sadly this requires something akin to a death March along Barton springs Rd where there is plenty of opportunity to be assaulted, cursed and generally hustled by some of Austins finest.

Acl = ageing concert liabilities

ps. Yes, Concerts are for sitting on the grass, and standing, even at my age.

TWC Cable and Home Telephone gone

After some procrastination, most due to the real/actual lack of choice, today I cancelled my Time Warner Cable “All the best” subscription and switched to just Internet only. I’m replacing the TV part of the subscription with DISH network, using their Dish America package.

At least according to Time Warner Cable, my Internet will cost $62.10 for the Turbo Internet service, which is what I have now, and claims “Up to 20Mbps” download and “Upload speeds up to 2Mbps”. Once all the change is done, I’ll likely upgrade this to Extreme if the prices are as TWC say they are. I have to get an cable modem to save another $3 per month.

Depending on how DISH network works out, this will mean

$50.30
$62.10
--------
$112.40

versus my new TWC monthly bill of $202.70. The difference of $90.30 will be more than enough to pay for an unlimited data plan with tethering and wireless hotspot with t-mobile, which makes up for a basic TWC Home Phone service. Again, once all this is settled down, I’ll use set-up my Google Voice number as a home phone.

The final step will be to replace my Time Warner Cable Internet service. Currently there are no practical alternatives for my house in south central Austin.

  • AT&T do not provide DSL or similar;
  • Clear is available, but would be limiting when I want to watch or livestream HD and someone else wants to use Voice-over-IP;
  • Grande Communications to not provide service to my street
  • Verizon fios – unavailable in my zipcode

Frankly this lack of competition is appalling, in what is claimed to be one of Americas high tech cities, and allows Time Warner Cable to exist as a complete monopoly.

When the TWC Sales rep was trying to work a deal and keep me as an “All the best” customer, she repeatedly kept saying “I know you are working to a budget”, to which I’d say “No I am not, I can afford to pay for this, I just won’t, your services are good but just over priced”, she either didn’t get it, or her script didn’t have a response path.