No, this isn’t a political post, it’s a blatant attempt to launch myself into the ring tone provider market(not!) As I continue to ramble, sometimes alphabetically, through my 2000+ vinyl album collection, this had been sitting staring at me. Vinyl to digital: I didn’t really remember much about this album, except of course that it contained the track that begat MAX Headroom. It’s actually much better than I remembered, electro/acid/jazz in many places. https://t.co/yBIE9yTWTu — Mark Cathcart (@cathcam) April 3, 2019 It cleaned up nicely, and after editing, the tonality seemed pretty good. I’ve done a few personal ringtones before, … Continue reading Paranoimia
As I continue to digitize my entire 2,000+ album collection, I’m constantly amazed by the quality and durability of Vinyl recordings. It’s true that I have the really poor quality stuff yet to come, as part of a dj lot of 90’s trance/techno 12-inch singles, some without covers, and many that were sat in damp or wet conditions. The general usability of vinyl is amazing. Have a listen to this sample from Quincy Jones first album, the track is called: A Sleepin’ Bee The album is “This is how I feel about jazz“. It was recorded in 1956 exactly 1-year … Continue reading Vinyl the perfect archive medium?
was the title of a great John Miles track from a 1976 John Miles album called Rebel. Strangely although I loved that track, it was one of the many I for the most part gave away, or sold for next to nothing in the Spring of 1983 when I moved to New York. I can remember to this day renting an estate car for the day and loading up the vinyl I wasn’t going to keep, and driving down to Kentish Town in London and offloading it all at some used record shop. Of the some 2,000 albums I have … Continue reading Music (was my first love)
One of the things I’ve had most fun with since going into “semi-retirement” or as I call it, retired-until-further-notice (RUFN), is being able to spend time getting back to the music and sound editing that I so much enjoyed at the end of the 1970’s. MixES on tape 70’s stylE Back then, doing dance music mixes, for they were true mixes using the technology available to me then, meant recording a series of tracks from vinyl albums and vinyl 7-inch and 12-inch vinyl to a cassette. Reel to Reel tape would have been easier, but wasn’t affordable. I would then … Continue reading What is old is new again
It’s fascinating to watch, and participate in the change in America. Sometimes it starts to look like a distinctly 2nd rate country. I’ve met reasonable people who are out of work through no fault of their own, who can’t afford to see a Dr or a Dentist unless its a life threatening emergency. Period. Then I hear from Oli in the UK that he’s finally gone to the dentist and had his teeth fixed, two fillings, and a root canal, total price to him, 49 UKP or about $60. In this weeks This American Life they ask the question, what kind of country? … Continue reading What kind of country do you want?
NPR has an interesting blog entry on “What ‘Mastered For iTunes’ Really Means”. I hadn’t spotted this since I’ve been a life long Apple avoider. It’s not that I think Apple has bad products, it’s just they always, always look for a way to lock users into their systems. I’ve felt for a long time that the music industry would eventually find a way to strike back at MP3. In this case it makes perfect sense. Pay particular attenion to the last two paragraphs. http://www.npr.org/blogs/therecord/2012/02/24/147379760/what-mastered-for-itunes-really-means Continue reading The implications of “Mastered for iTunes”