Sun God – Ramsey Lewis

I really didn’t know what to expect from Ramsey Lewis, and having never been to the One World Theatre in Austin, my anicipation was high. I wasn’t disappointed.

The One World Theater is the corollary of many of Austins music venues, its small, intimate and and has great sound. The Ramsey Lewis trio, plus Lewis, barely needed amplification and were all very clear. I was in the isle seat, center left just 3-rows back. I bought my Olympus SLR camera and got it in without trouble, but based on an early experience with a woman shooting video, taking pictures was going to be difficult. Besides, I really wanted to just enjoy the music.

Sun Goddess revisitedThe whole evening was more souful than I could have imagined; given the clarity of the music, the proximity of the stage and the small audience. Lewis played a number of his well known tracks including the 60’s classics Wade in the Water and the In Crowd, he also did a fantastic solo piano of Betcha By Golly Wow, a Stylistics song and a Beatles classic, which now, almost a month later, I’ve forgotten. The theater was hushed, Lewis was in fine, lively form, and the piano sounded perfect.

Ultimately, as a true Lewis fanboy, Lewis and some of his older tracks live was the high point of my concert going experiences. Lewis’s 1970 album the Piano Player would have been fantastic to watch them record. Maurice White from Earth, Wind and Fire was the drummer for that album, and the tracks were arranged by Charles Stepney who also arranged those key influential early Earth, Wind and Fire albums. [I even added Lewis version of Golden Slumbers to the wikipedia page since it was missing!]. The other member of the Ramsey Lewis trio on the Piano Player was Cleveland Eaton, one time Count Basie Orchestra leader, who went on to record this seminal jazz/funk/disco classic, Bama Boogie Woogie.

The circle of musical life was complete for me when Lewis later came back on for an encore to play the title track from the album Sun Goddess. I’d heard this back in 1974, the harmonies, the beat, the sound changed my outlook on music and to a degree, my life. A few years after that I got a tattoo, and was a massive Earth, Wind & Fire fan.

After the concert was over I waited quietly outside hoping to get a picture with Ramsey Lewis, he came out about 30-minutes later. A woman appeared from nowhere with a stack of vinyl albums for him to sign, he seemed slightly testy. Then some other guy with an old school 35mm film camera stopped him and asked for a picture; I walked alongside him, thanked him for his great music, told him sun goddess had changed my life; after 2-complete sets, instead of the vibrant guy on stage, Lewis had taken on the demeanor of a 76 year old man, late at night. I didn’t ask for a picture, afterall I’ve got the tattoo.

Lewis did an interview and played piano with the KUT folks while in town. You can hear that here, or download the MP3 here.

Sun Goddess revisited

It’s just over a month now until Ramsey Lewis does his Sun Goddess revisited set, up at the One World Theatre in Austin…. just how good is this, re-edited by the Late Night Tuff Guy.

Here, Ramsey Lewis himself describes “Whats going on” and the playlist has the original version. It’s the summer of 1973 all over again…

Fore music

The great thing about music is it brings people together in so many great ways, the great thing about sharing love of similar music with my kids, is I get recommendations on some great stuff, I’m totally hooked on this Jamie Lidell track after a 3 a.m. skype session with Oli.


Then last night Kathleen organized line dancing lessons at the Broken Spoke, all I can tell you is there was a lot of trepidation in this house before Ronnie and I left. I got to learn the Texas 2-step with Leslie Tom and she was a great partner.

Sven gets vocal again

I just ran the stats on my little Sandisc Sansa MP3 player, I’ve had it for 3-years now, it was a great buy and yep, cheap, and no it doesn’t work with iTunes. I’ve done a few file reloads and am starting to think about music selection for the marathon I have to run at the end of the Challenge Roth ironman-distance triathlon in July. Yep, MP3 players are allowed on the run.

Overwhelmingly, the number one MP3 played on my sandisc is my Houston dance-music friend, Sven Neers’ “sven gets vocal again” mix from February 2010. It’s a perfect, uplifting, uptempo, happy/vocal house mix. It used to be available via Svens soundcloud page, at http://soundcloud.com/neer-music/sven-gets-vocal-again but it’s been taken down. There is a track listing here on his old blog and you can find it online here.

Fee’s how much longer?

I’m so over paying fees for events, it’s such a rip-off. I just bought a ticket for my first ever visit to the One World Theatre here in Austin[the home of star’s from the 1970’s and 1980’s], I’m going to see Ramsey Lewis do Sungoddess Revisited. It was this track and the album, Sungoddess that introduced me to Earth Wind  and Fire and a life long love of their music and harmonies, heck I even got the tattoo in 1976. So I wanted to get a decent seat and went for a “prime seat”, price $75. Yeah, I know.

Then came the sticker shock, for an entirely computerized print at home system, I paid an additional $14.50 in fees. One of the fees was listed as simply a transaction fee, maybe this is the fee they are paying to the credit card company so I could use my card, well I’ll get some of that back as I used a cashback  card. Which still leaves an $11 fee for someone sitting down and typing the name of the event, a description, posting a picture and setting up the web page. Alright, maybe I could pay a small amount, say 20c towards the license of the software, and another $1 max. for the system time on the server, but at best thats’ $4.50. Since they actually use seatadvisor.com for bookings, the fees should be even lower.

I had thought about going their to see the Average White Band in October, but not $14.50 worth of fees. For the record, it’s not that I can’t afford it, it’s that it’s a ripoff and a barrier to entry to those who can’t. Enjoy Sungoddess…

The implications of “Mastered for iTunes”

Picture of a sound meterNPR has an interesting blog entry on “What ‘Mastered For iTunes’ Really Means”. I hadn’t spotted this since I’ve been a life long Apple avoider. It’s not that I think Apple has bad products, it’s just they always, always look for a way to lock users into their systems. I’ve felt for a long time that the music industry would eventually find a way to strike back at MP3. In this case it makes perfect sense. Pay particular attenion to the last two paragraphs.

http://www.npr.org/blogs/therecord/2012/02/24/147379760/what-mastered-for-itunes-really-means